Contemporary (Media) Arts & the Humanities in our Democracies
Versions, variations, and variability. Possibilities and potentialities in the preservation of computer based art
From New Tendencies to new tendencies: Media art Collection of Zagreb Museum of Contemporary Art
KwieKulik Archive: Documenting and Preserving Art in Communist Poland
The Media Artist as Functionary: Show-Bix, Århus 1968-71
Project: re:DDS, a case study of webarcheology
Speculative archiving. On piratical ethics and shelf corpses.
Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Conserving the new media installation: the challenges of the monitor
Recording and Recoding
Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Who tells history?
Photo and Palette: Early Pixel-Based Computer Art
Douglas Wheeler’s Infinity Rooms: Unrealized Media Art History – tbc.
Sustaining Media Art Collections: A New Focus in Conservation
Managing Inherent Change
Extending Contemporary Art Conservation
Building the Foundations for a New Conservation Specialty
Italian video art centres and archives: a treasure yet to discover
Valentino CATRICALÀ, Elio UGENTI
Recreating Imaginary. Strategies of Preservation, Archiviation and Reuse of Media Art Histories
Canan HASTIK, Arnd STEINMETZ, Bernhard THULL.
Using CIDOC CRM for Real-Time Audiovisual Art
Ukrainian media art. Experience of archiving
ON:meedi:a – Online Multimedia Archiving for New Media Art
A Typology of New Media Art Renewals
The Consequences of the Apparatus: Otto Piene’s Lichtballett
A visual projection system of Dumb Type’s performance “S/N”
A video-annotation software to document digital performances
The widget art gallery
Renew programme
MAH website
Art+Communication festival
RIXC Centre of New Media Art
Maskavas street 10, Riga, LV-1050, Latvia
E-mail:
Ph. +371 67228478, +371 26546776 (Rasa Smite)
Renew contacts:
E-mail:
