9.30-11.00
Archiving
Plenary sessionChair:Christiane PAUL
Oliver GRAU. Contemporary (Media) Arts & the Humanities in our Democracies
Hanna HÖLLING. Versions, variations, and variability. Possibilities and potentialities in the preservation of computer based art
Leila TOPIC. From New Tendencies to new tendencies: Media art Collection of Zagreb Museum of Contemporary Art
Magdalena NOWAK. KwieKulik Archive: Documenting and Preserving Art in Communist Poland
Venue:Stockholm School of Economics in Riga, Soros Auditorium
11.15-13.00
Archiving
Panel A (paper session)Chair:Frieder NAKE
Morten SONDERGAARD. The Media Artist as Functionary: Show-Bix, Århus 1968-71
Tjarda de HAAN. Project: re:DDS, a case study of webarcheology
Nina WENHART. speculative archiving. on piratical ethics and shelf corpses
Francesca FRANCO. Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Christina VATSELLA. Conserving the new media installation: the challenges of the monitor
Venue:Stockholm School of Economics in Riga, Soros Auditorium
Paradigm shift
Panel B (paper session)Chair:Armin MEDOSCH
Emit SNAKE-BEINGS. DiY participatory culture: Allowing space for inefficiency, error and noise
Gabriela GALATI, Amos BIANCHI. The Threshold
Stacey SEWELL. Bodily Fragments
Lauren FENTON. A Garden of Machines: human/technological entanglement and the emergence of robotic art
Damien CHARRIERAS. The gamification of New Media Arts? The effectivities of video game engines in new media arts worlds
Irene MACHADO. Cinematic montage and the emergency of media iconic languages
Venue:Stockholm School of Economics in Riga, room 311
13.45-15.15
Archiving
Panel B (paper session)Chair:Hanna HÖLLING
Frieder NAKE. Recording and Recoding
Aurelie HERBET. Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Ricardo Dal FARRA. e-arts conservation: between ethical concerns and practical strategies
Esteban GARCIA. Photo and Palette: Early Pixel-Based Computer Art
Kristian LUKIC. Media Art, Commons and Artificial Scarcity
Venue:Stockholm School of Economics in Riga, Soros Auditorium
EE-Histories
Panel AChair:Darko FRITZ
Dušan BAROK. The Aesthetics of Early East-West Online Communication
Aneta PANEK. Paris – Berlin – Warsaw. Experimental Film in France, in Germany and in Poland in the 1970s and the 1980s. Experiment, Autonomy and Subversion
Silva KALCIC. Architecture and New Media Art / Media façades, video and light- installations in the context of Croatian Contemporary Arts
Olga KISSELEVA. Media art as a tool to build a post-industrial society : an example from the Ural Biennale
Vytautas MICHELKEVICIUS. Mapping and Archiving Lithuanian Media Art: Regional Failures and Achievements since 2000s
Venue:Stockholm School of Economics in Riga, room 311
15.20-16.50
Archiving
Panel C: Through the Conservator's Eye: Collecting, Preserving and Displaying Media ArtChair:Christiane PAUL
Joanna PHILLIPS. Sustaining Media Art Collections: A New Focus in Conservation
Patrícia FALCAO. Managing Inherent Change
Martina PFENNINGER. Extending Contemporary Art Conservation
Agathe JARCZYK. Building the Foundations for a New Conservation Specialty
Venue:Stockholm School of Economics in Riga, Soros Auditorium
EE-Histories
Panel BChair:Inke ARNS
Aleksandra KAMINSKA. Hypermediation in the Ruins of Socialism, Or, Concrete Legacies in an Age of Fiction
Andrew PATERSON. Contextual Media Experiments: Locative axis between Finland and Latvia
Raivo KELOMEES. Constructing Narrative in Interactive Documentaries
Slavo KREKOVIC. Tracing Discontinuities: Writing Histories of Experimental Sound-based Media in Slovakia and Central/Eastern Europe
Barbora SEDIVA, Katarina GATIALOVA. REMAKE: REthinking Media Arts in C(K)ollaborative Environments
Venue:Stockholm School of Economics in Riga, room 311
17.00-18.00
Archiving 1
Presentation SessionChair:Frieder NAKE
Laura LEUZZI. Italian video art centres and archives: a treasure yet to discover
Valentino CATRICALÀ, Elio UGENTI. Recreating Imaginary. Strategies of Preservation, Archiviation and Reuse of Media Art Histories
Canan HASTIK, Arnd STEINMETZ, Bernhard THULL. Using CIDOC CRM for Real-Time Audiovisual Art
Ianina PRUDENKO. Ukrainian media art. Experience of archiving
Jana WEDEKIND. ON:meedi:a – Online Multimedia Archiving for New Media Art
Olia LIALINA. One Terabyte of Kilobyte Age
Venue:Stockholm School of Economics in Riga, Soros Auditorium
Archiving 2
Presentation SessionChair:Hanna HÖLLING
Nils JEAN. A Typology of New Media Art Renewals
Georgina RUFF. The Consequences of the Apparatus: Otto Piene’s Lichtballett
Tomohiro UESHIBA. A visual projection system of Dumb Type’s performance “S/N”
Clarisse BARDIOT. A video-annotation software to document digital performances
Chiara PASSA. The widget art gallery
Venue:Stockholm School of Economics in Riga, room 311
18.00-20.00
Playing Fields
Participatory Session 1Chair:Armin MEDOSCH
Rasa SMITE, Raitis SMITS, and other invited participants
Collaborative mapping, curating and tagging as a social game: which expanded fields of artistic practices offer the greatest potential for desirable social change?
Everybody is invited to “play in the fields”!
Venue:Stockholm School of Economics in Riga, Soros Auditorium
PARADIGM SHIFTS IN MEDIA ART / SCIENCE EDUCATION
Participatory Session 2Chair:Nina CZEGLEDY
Oliver GRAU, Chris SALTER
Discussion on the necessity of paradigm shifts in higher education, a topic heatedly discussed by educators, experts, policy makers as well as institutional leaders with varying success.
Everybody is invited to join the discussion!
Venue:Stockholm School of Economics in Riga, room 311
RIXC Centre of New Media Art
Maskavas street 10, Riga, LV-1050, Latvia
E-mail:
Ph. +371 67228478, +371 26546776 (Rasa Smite)
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